In non-professional context is easier to use names for the parts, like "verse", "bridge", "chorus", "solo", or even using the lyrics to distinguish them. In more complex songs you can have breaks, solo parts with a different harmonic progression, even more than one bridge, and you can end up using, A, B, C, D and other notations (that usually are decided with every band member, not to confuse things ). if a song is made of just two chords, or the same harmonic progression (like the over-used || C | G | Am | F || ) both on verse and chorus, you should note them basing on just the melody. Solos and intro/outro are usually done on the A or B harmonic progression. In pop/rock music structures and notations are a bit different, because you can have more secitons, but you still divide them in sections basing on the chords or the melody (when chords are the same).įor example, a common pop/rock structure isĪ is the verse section changing the lyricsī is the chorus/refrain with, usually, the same (catchy) lyrics every timeĬ is a bridge part with different harmoinc progression, often changing the tonality, or leading to change in the chorus (like going up 1/2 or 1 tone) It depends on how the song is written and how the band/musician wants to play it for the entire lenght. Naming the parts is useful if you want to change "on the run", and maybe restart after the B section to enter a final/ending chorus leading to the end of the performance. You can obviously have a C part, that sometimes is an A part with some differences, or just a "turnaround" to go back to the beginning of the chorus. Jazz structures are a bit more complex (even if often they are just blues choruses with added chords in the 12-bars), but the concept is the same: you start with the A section, repeat the A section, go to the B section, play another A section and go back to the first A, and you'll loop AABA all over again. you have three different sections, with different chords and harmonic structure. you can name the first four bars "A", the second four "B" and the last "C". You can also name sections dividing by three: The typical "12 bars chorus" in the blues structure is the same thing, you are just repeating the same chords over and over again, starting from bar 1, ending on bar 12 and restarting from 1. This thing is called "chorus" in jazz and blues notations, and the letters are used to distinguish the harmonic structure. In standard jazz pieces you'll have a theme/singing part made of a (typical) AABA, and after the theme/singing part, you'll repeat the structure as it is, and musicians start to improvise. As other said, they are just notation marks for sections of a song, also called "song structure".
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